Water—not just as a subject, but as history. I grew up near the water. It shaped how I understand stillness and turbulence, surface and depth. These cyanotypes, folded into geometric forms, treat water as both image and memory: fragmented, repeated, refracted.
These forms live between photography and sculpture, between what I remember and what I’ve reconstructed. Repetition brings stability but also echoes. I think of them as breath: expanding, collapsing, suspended. Water, in this work, is both a mirror and a medium—a way of tracing the self across time.
